Ok, so in this 3.5 minute video tutorial i’ll show you a super simple way to boost the local contrast without “overcooking” the global contrast in an image.
Here’s a condensed step-by-step guideline in written form:
Go to Filter -> Sharpen -> Unsharp Mask
Set Amount to 20
Radius to 50
Threshold to 0
Click OK and you’re done!
You can experiment with Amount from 5-20 and radius from 20-300 pixels.
Let me know your opinion by making a comment to this post.
In this 9 minute video i’ll show you how easy it is to correct even severely over or underexposed images using Adobe Camera RAW.
Here’s a condensed checklist of the video
Set white balance either by selecting one of the pre-sets or by setting the color temperature and the tint manually. Alternatively use the White Balance tool in the upper tool bar (by selecting a neutral gray area)
Set the white point with the Exposure slider (right tail of the histogram)
Use the Recovery slider to recover lost highlights (if required)
Use the Fill Light slider to open up and give details in dark shadows
Use the Blacks slider to set the black point (left tail of the histogram)
Use the Brightness slider to change the mid tones (overall brightness)
Use the contrast slider to set contrast
Use the Clarity slider to set mid tone contrast
Use the saturation slider to increase/reduce saturation
Use the Clarity slider to set saturation (smart saturation)
That’s it, you’ll see how incredibly easy it is to edit and even rescue badly exposed images using adobe camera RAW.
In this short 4 minute video I’ll show you how to improve color contrast and correct color casts using Adobe Photoshop Levels. It’s really fast and easy as you’ll see.
Here’s a condensed checklist to complement the video:
Open the image
Select Layer -> New Adjustment Layer -> Levels
Give the layer a unique name or accept the proposed name
Select the Red channel
Position the black triangle directly under the histogram (not the triangle in the “output levels” section) to the start of the curve
Position the white triangle directly under the histogram to the end of the curve.
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